Scott Allen (for Ensemble Performance), Renee Baughman (for Ensemble Performance), Carole Bishop (for Ensemble Performance), Pamela Blair (for Ensemble Performance), Wayne Cilento (for Ensemble Performance), Chuck Cissel (for Ensemble Performance), Clive Clerk (for Ensemble Performance), Kay Cole (for Ensemble Performance), Ronald Dennis (for Ensemble Performance), Donna Drake (for Ensemble Performance), Brandt Edwards (for Ensemble Performance), Patricia Garland (for Ensemble Performance), Carolyn Kirsch (for Ensemble Performance), Ron Kuhlman (for Ensemble Performance), Nancy Lane (for Ensemble Performance), Baayork Lee (for Ensemble Performance), Priscilla Lopez (for Ensemble Performance), Robert LuPone (for Ensemble Performance), Cameron Mason (for Ensemble Performance), Donna McKechnie (for Ensemble Performance), Don Percassi (for Ensemble Performance), Michael Serrecchia (for Ensemble Performance), Michel Stuart (for Ensemble Performance), Thomas J. (Judy, Kristine, Sheila, Val) and Karen Ziemba (Cassie, Sheila, Kristine, Judy), Tracy Shayne (Cassie, Diana, Maggie, Bebe), Ann Louise Schaut
(Paul, Mike, Larry, Greg, Al), Chesley Santoro (Diana, Connie, Bebe, Maggie, Val), Michael Ricardo (Judy, Kristine, Sheila, Val), Kevin Neil McCready (Val, Kristine, Maggie, Connie), Robin Lyon (Mike, Greg, Paul, Larry, Al, Mark), Roscoe Gilliam (Kristine, Bebe, Judy, Cassie), Troy Garza (Diana, Val, Connie, Maggie, Bebe), David Fredericks (Sheila, Cassie, Kristine), Diane Fratantoni (Maggie, Connie, Bebe, Diana), Gail Mae Ferguson (Sheila, Judy, Kristine), Dennis Edenfield (Bebe, Diana, Cassie, Judy, Kristine), John Dolf
For this performance, over 300 performers from various companies (Broadway, touring, international) of A Chorus Line performed in the show’s finale “One.” Performers who only appeared in the Broadway production on this date are noted as such on the ‘replacement’ tab. On September 29, 1983, this production celebrated its 3,389th performance, surpassing Grease as the longest-running show in Broadway history at the time. Additionally, there is a plaque in the lobby of the Shubert Theatre noting the opening night as July 25.
Variety, in its Octoedition, says the production “had its so-called ‘press opening’ last Sunday night (19),” noting it was not recognized as its official opening. However, the September 28 review date was pushed back to October 19 due to the Local 802 strike of 1975 A Chorus Line was dark September 18 – October 12. Variety noted on Jthat A Chorus Line was opening that Friday, and the following week again noted that it had opened when reporting the production’s grosses. The performances during this time were not counted as previews – its weekly grosses were reported in Variety that summer as performances.
#Music from the chorus line full
When A Chorus Line transferred from the Public to Broadway on J(the off-Broadway run having only closed on July 13), the production opted not to be re-reviewed until September 28 (a full two months later – which would have been an extraordinarily long preview period for the time). The opening night for this production is occasionally erroneously listed as October 19, 1975. This show is dedicated to anyone who has ever danced in a chorus or marched in step.anywhere." "The characters portrayed in A CHORUS LINE are, for the most part, based upon the lives of Broadway dancers.
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